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" I'm trying to expand the notion of curating. Exhibitions need not only take place in galleries, need not only involve displaying objects. Art can appear where we expect it least. "
Hans-Ulrich Obrist
Place
Need
Expect
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" I think the art fair is very much a form of urbanism. I think something really happens to the cities when such a fair happens. The city becomes an exhibition; it's amazing. "
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" I'm very interested in the idea of unusual museums, ones that are not necessarily contemporary art museums - more like historical collections or house museums. "
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" It's quite an obscure notion for a kid, no? To want to be a curator. But even then, I knew that I would do this. "
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" I read whenever possible, and I buy books all the time, sometimes online, but mostly from bookshops. I love literature. If you want to understand art, it's important to understand what is also happening in literature, in music, in science, in architecture. "
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" Switzerland felt incredibly narrow, growing up. It was good, in a way. There were so many museums. But it was always a no-brainer that I would have to leave, and I'm grateful for that. "
Hans-Ulrich Obrist
Growing
Grateful
Growing Up
" My great inspiration has always been Studs Terkel, who is a wonderful American oral historian. He was a radio DJ at first, interviewed a lot of jazz musicians, and at some point started to interview Americans about work. "
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" When I was a kid and started to be obsessed by art in the 1980s, the art world was in this polarity Warhol/Beuys, Beuys/Warhol. Both expended the notion of art extremely, but in very different ways. "
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Started
" At Performa in New York, there are a lot of commissions, but Manchester Festival is the only festival where everything is fully produced by the festival. "
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" I spent 250 to 300 days of every year on the road. But in the end, I felt something was missing. I needed to be anchored so I could concentrate, so in 2000, I established a new methodology - the one I use today. I spent the week in my office and travelled every weekend, even at Christmas. "
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Christmas
Weekend
" To keep art stimulating, it's important to open it up to new horizons, which includes showing it in unexpected contexts. "
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Open
New
Important
" Making art is not the matter of a moment, and nor is making an exhibition; curating follows art. "
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Exhibition
Art
Moment
" For me, it's always been very essential to work on projects that one can work on almost for their entire life. "
Hans-Ulrich Obrist
Almost
Always
Been
" I started going to exhibitions in Switzerland when I was 10 or 11. As a schoolboy, I would go every afternoon to see the long, thin figures of Giacometti. "
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Go
Started
Switzerland
" Our economy's growth functions by inciting us to produce more and more with each passing year. In turn, we require cultural forms to enable us to sort through the glut, and our rituals are once again directed towards the immaterial, towards quality and not quantity. "
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" I would go from one city to the next, inspired by the monks in the Middle Ages, who would carry knowledge from one monastery to the next monastery. "
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City
Carry
Knowledge
" I always have coffee and porridge for breakfast. "
Hans-Ulrich Obrist
Breakfast
Always
Coffee
" The 21st-century curator works in a supremely globalised reality. "
Hans-Ulrich Obrist
21st-Century
Reality
Works
" I don't wake up in the morning and think about Franz Kline. "
Hans-Ulrich Obrist
Think
Wake Up
About
" I went to the studio of Fischli Weiss, and it was magical. I thought: 'This is what I want to do with my life; I want to work with artists and be useful to them.' I was magnetically attracted. "
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Thought
Want
Life
" There is nothing deeper than to work for a year with the same artist. "
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" Numerous are the posthumous museums and memorials devoted exclusively to one artist, architect or author and designed to preserve or artificially reconstruct the namesake's original working or living conditions. "
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" One of my favourite exhibitions is called 'Do It,' which I co-curated with the artists Christian Boltanski and Bertrand Lavier 21 years ago. "
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" To record is a process against forgetting. I do interviews because it's what I've been doing every day for a few hours since I was a kid. I've always talked to artists. "
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Doing
Always
Day
" For me, the idea of curating can be expanded. Curating science, curating art, music and theater and performance and not only bring those things into art but bring art into those areas. "
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Science
Music
Performance
" I met Gerhard Richter and Alighiero Boetti when I was a teenager, and I was really inspired by them. When Boetti died, I realized I only vaguely remembered so many things he told me. It was such a pity. Had I only recorded his voice, he would still be with me, and I could listen to it from time to time. "
Hans-Ulrich Obrist
Remembered
Listen
Voice
" I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public. "
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Bridge
Creating
Partner
" At a certain moment, when I started doing my own shows, I felt it would be really interesting to know what is the history of my profession. I realized that there was no book, which was kind of a shock. "
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Moment
Book
History
" When I was 17, I met many artists, and it started to become this conversation with artists out of which all of my exhibitions grew. "
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Conversation
Started
Out
" During my time at high school and university in Kreuzlingen and St. Gallen, I traveled around Europe looking at art, visiting artists, studios, galleries and museums. "
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School
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Time