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" For me, it's always been very essential to work on projects that one can work on almost for their entire life. "

Hans-Ulrich Obrist

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" It's quite an obscure notion for a kid, no? To want to be a curator. But even then, I knew that I would do this. "

Hans-Ulrich Obrist

" I read whenever possible, and I buy books all the time, sometimes online, but mostly from bookshops. I love literature. If you want to understand art, it's important to understand what is also happening in literature, in music, in science, in architecture. "

Hans-Ulrich Obrist

" I'm very interested in the idea of unusual museums, ones that are not necessarily contemporary art museums - more like historical collections or house museums. "

Hans-Ulrich Obrist

" To keep art stimulating, it's important to open it up to new horizons, which includes showing it in unexpected contexts. "

Hans-Ulrich Obrist

" Fly-in, fly-out curating nearly always produces superficial results; it's a practice that goes hand in hand with the fashion for applying the word 'curating' to everything that involves simply making a choice - radio playlists, hotel decor, even the food stalls in New York's High Line Park. "

Hans-Ulrich Obrist

" Mr. Koons's work has always inspired architects, which I think is very interesting. I think he is an artist who has reinvented himself so many times and reinvented so many different series. "

Hans-Ulrich Obrist

" My most famous show is the 'Kitchen Show.' More famous than any gallery show or museum show I curated. "

Hans-Ulrich Obrist

" The non-utility of my kitchen could be transformed into its utility for art. To do a show there would mix art and life, naturally. "

Hans-Ulrich Obrist

" I don't wake up in the morning and think about Franz Kline. "

Hans-Ulrich Obrist

" Most cities have a centre surrounded by suburbs, but London has numerous centres: it's the model of a twenty-first century metropolis. "

Hans-Ulrich Obrist

" I remember going to a monastery library when I was very young and being surrounded by ancient books. I fell in love. "

Hans-Ulrich Obrist

" At a certain moment, when I started doing my own shows, I felt it would be really interesting to know what is the history of my profession. I realized that there was no book, which was kind of a shock. "

Hans-Ulrich Obrist

" I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public. "

Hans-Ulrich Obrist

" One of my favourite exhibitions is called 'Do It,' which I co-curated with the artists Christian Boltanski and Bertrand Lavier 21 years ago. "

Hans-Ulrich Obrist

" My job is art curator, not artist. All I have ever wanted to do is immerse myself in art, to enjoy it, to learn about it, to write about it, to talk to others about it. "

Hans-Ulrich Obrist

" I would go from one city to the next, inspired by the monks in the Middle Ages, who would carry knowledge from one monastery to the next monastery. "

Hans-Ulrich Obrist

" I founded a club, which is called the Brutally Early Club. It's basically a breakfast salon for the 21st century where art meets science meets architecture meets literature. "

Hans-Ulrich Obrist

" I have many intense friendships with artists. I don't mean we have intense one-day conversations but ongoing conversations that last in some cases for years. "

Hans-Ulrich Obrist

" At Performa in New York, there are a lot of commissions, but Manchester Festival is the only festival where everything is fully produced by the festival. "

Hans-Ulrich Obrist

" I started going to exhibitions in Switzerland when I was 10 or 11. As a schoolboy, I would go every afternoon to see the long, thin figures of Giacometti. "

Hans-Ulrich Obrist

" I met Gerhard Richter and Alighiero Boetti when I was a teenager, and I was really inspired by them. When Boetti died, I realized I only vaguely remembered so many things he told me. It was such a pity. Had I only recorded his voice, he would still be with me, and I could listen to it from time to time. "

Hans-Ulrich Obrist

" I still remember my first Giacometti exhibition, and going back to the museum every day, whenever I could, to look again and again at these long, thin stick figures, so beautiful, so graceful. That, I think, was the moment I became really obsessed by art. "

Hans-Ulrich Obrist

" Our economy's growth functions by inciting us to produce more and more with each passing year. In turn, we require cultural forms to enable us to sort through the glut, and our rituals are once again directed towards the immaterial, towards quality and not quantity. "

Hans-Ulrich Obrist

" From 1991 to 2000, I was totally nomadic. I was travelling 300 days a year and building out my research. These were a bit like my learning and migrating years, so to say. "

Hans-Ulrich Obrist

" The 21st-century curator works in a supremely globalised reality. "

Hans-Ulrich Obrist

" During my time at high school and university in Kreuzlingen and St. Gallen, I traveled around Europe looking at art, visiting artists, studios, galleries and museums. "

Hans-Ulrich Obrist

" Alex Poots has always made a bridge between highly experimental and the mainstream. "

Hans-Ulrich Obrist

" When I was a kid and started to be obsessed by art in the 1980s, the art world was in this polarity Warhol/Beuys, Beuys/Warhol. Both expended the notion of art extremely, but in very different ways. "

Hans-Ulrich Obrist

" Numerous are the posthumous museums and memorials devoted exclusively to one artist, architect or author and designed to preserve or artificially reconstruct the namesake's original working or living conditions. "

Hans-Ulrich Obrist

" Everything I do is somehow connected to velocity. "

Hans-Ulrich Obrist