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" My job is art curator, not artist. All I have ever wanted to do is immerse myself in art, to enjoy it, to learn about it, to write about it, to talk to others about it. "
Hans-Ulrich Obrist
Art
Learn
Myself
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" Making art is not the matter of a moment, and nor is making an exhibition; curating follows art. "
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" I founded a club, which is called the Brutally Early Club. It's basically a breakfast salon for the 21st century where art meets science meets architecture meets literature. "
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" One of my favourite exhibitions is called 'Do It,' which I co-curated with the artists Christian Boltanski and Bertrand Lavier 21 years ago. "
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" To record is a process against forgetting. I do interviews because it's what I've been doing every day for a few hours since I was a kid. I've always talked to artists. "
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" I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public. "
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" When I was a kid and started to be obsessed by art in the 1980s, the art world was in this polarity Warhol/Beuys, Beuys/Warhol. Both expended the notion of art extremely, but in very different ways. "
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" Most cities have a centre surrounded by suburbs, but London has numerous centres: it's the model of a twenty-first century metropolis. "
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" Fly-in, fly-out curating nearly always produces superficial results; it's a practice that goes hand in hand with the fashion for applying the word 'curating' to everything that involves simply making a choice - radio playlists, hotel decor, even the food stalls in New York's High Line Park. "
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" Our economy's growth functions by inciting us to produce more and more with each passing year. In turn, we require cultural forms to enable us to sort through the glut, and our rituals are once again directed towards the immaterial, towards quality and not quantity. "
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" I'm very interested in the idea of unusual museums, ones that are not necessarily contemporary art museums - more like historical collections or house museums. "
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Like
House
" At Performa in New York, there are a lot of commissions, but Manchester Festival is the only festival where everything is fully produced by the festival. "
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New
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" My great inspiration has always been Studs Terkel, who is a wonderful American oral historian. He was a radio DJ at first, interviewed a lot of jazz musicians, and at some point started to interview Americans about work. "
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Great
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" I would go from one city to the next, inspired by the monks in the Middle Ages, who would carry knowledge from one monastery to the next monastery. "
Hans-Ulrich Obrist
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" I always have coffee and porridge for breakfast. "
Hans-Ulrich Obrist
Breakfast
Always
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" Exhibitions usually are not collected; they disperse after they take place. "
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After
Place
Take
" Alex Poots has always made a bridge between highly experimental and the mainstream. "
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Made
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Alex
" It's quite an obscure notion for a kid, no? To want to be a curator. But even then, I knew that I would do this. "
Hans-Ulrich Obrist
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Then
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" For me, it's always been very essential to work on projects that one can work on almost for their entire life. "
Hans-Ulrich Obrist
Almost
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" For me, the idea of curating can be expanded. Curating science, curating art, music and theater and performance and not only bring those things into art but bring art into those areas. "
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" Numerous are the posthumous museums and memorials devoted exclusively to one artist, architect or author and designed to preserve or artificially reconstruct the namesake's original working or living conditions. "
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" Many artists have not been able to realise their fondest projects. My role is to help them. "
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" I don't wake up in the morning and think about Franz Kline. "
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" I spent 250 to 300 days of every year on the road. But in the end, I felt something was missing. I needed to be anchored so I could concentrate, so in 2000, I established a new methodology - the one I use today. I spent the week in my office and travelled every weekend, even at Christmas. "
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Christmas
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" Switzerland felt incredibly narrow, growing up. It was good, in a way. There were so many museums. But it was always a no-brainer that I would have to leave, and I'm grateful for that. "
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Growing
Grateful
Growing Up
" When I was 17, I met many artists, and it started to become this conversation with artists out of which all of my exhibitions grew. "
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Conversation
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" Exhibitions are kind of ephemeral moments, sometimes magic moments, and when they're gone, they're gone. "
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" From 1991 to 2000, I was totally nomadic. I was travelling 300 days a year and building out my research. These were a bit like my learning and migrating years, so to say. "
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" For me, the making of exhibitions has always had to do with dialogue: a concentrated, in-depth, focused dialogue with artists, who keep teaching me that exhibitions should always invent new rules for the game. "
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