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" I would go from one city to the next, inspired by the monks in the Middle Ages, who would carry knowledge from one monastery to the next monastery. "
Hans-Ulrich Obrist
City
Carry
Knowledge
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" Mr. Koons's work has always inspired architects, which I think is very interesting. I think he is an artist who has reinvented himself so many times and reinvented so many different series. "
Hans-Ulrich Obrist
Interesting
Work
Think
" I always have coffee and porridge for breakfast. "
Hans-Ulrich Obrist
Breakfast
Always
Coffee
" My great inspiration has always been Studs Terkel, who is a wonderful American oral historian. He was a radio DJ at first, interviewed a lot of jazz musicians, and at some point started to interview Americans about work. "
Hans-Ulrich Obrist
Great
Work
Musicians
" My job is art curator, not artist. All I have ever wanted to do is immerse myself in art, to enjoy it, to learn about it, to write about it, to talk to others about it. "
Hans-Ulrich Obrist
Art
Learn
Myself
" Since 2000, I've been based in Paris at the Musee d'Art Moderne de la Ville, curating the programme there. Internationally, it's a very open situation that goes beyond national boundaries; directors and curators move from one country to another, which has opened up the museum landscape. "
Hans-Ulrich Obrist
Situation
Up
Landscape
" I went to the studio of Fischli Weiss, and it was magical. I thought: 'This is what I want to do with my life; I want to work with artists and be useful to them.' I was magnetically attracted. "
Hans-Ulrich Obrist
Thought
Want
Life
" I think the art fair is very much a form of urbanism. I think something really happens to the cities when such a fair happens. The city becomes an exhibition; it's amazing. "
Hans-Ulrich Obrist
Happens
Amazing
Art
" It's quite an obscure notion for a kid, no? To want to be a curator. But even then, I knew that I would do this. "
Hans-Ulrich Obrist
Want
Then
Even
" I met Gerhard Richter and Alighiero Boetti when I was a teenager, and I was really inspired by them. When Boetti died, I realized I only vaguely remembered so many things he told me. It was such a pity. Had I only recorded his voice, he would still be with me, and I could listen to it from time to time. "
Hans-Ulrich Obrist
Remembered
Listen
Voice
" The non-utility of my kitchen could be transformed into its utility for art. To do a show there would mix art and life, naturally. "
Hans-Ulrich Obrist
Transformed
Life
Kitchen
" Making art is not the matter of a moment, and nor is making an exhibition; curating follows art. "
Hans-Ulrich Obrist
Exhibition
Art
Moment
" At Performa in New York, there are a lot of commissions, but Manchester Festival is the only festival where everything is fully produced by the festival. "
Hans-Ulrich Obrist
New York
New
Everything
" Our economy's growth functions by inciting us to produce more and more with each passing year. In turn, we require cultural forms to enable us to sort through the glut, and our rituals are once again directed towards the immaterial, towards quality and not quantity. "
Hans-Ulrich Obrist
Us
Economy
Growth
" Most cities have a centre surrounded by suburbs, but London has numerous centres: it's the model of a twenty-first century metropolis. "
Hans-Ulrich Obrist
Most
Model
London
" For me, it's always been very essential to work on projects that one can work on almost for their entire life. "
Hans-Ulrich Obrist
Almost
Always
Been
" I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public. "
Hans-Ulrich Obrist
Bridge
Creating
Partner
" Everything I do is somehow connected to velocity. "
Hans-Ulrich Obrist
Velocity
Somehow
Connected
" I founded a club, which is called the Brutally Early Club. It's basically a breakfast salon for the 21st century where art meets science meets architecture meets literature. "
Hans-Ulrich Obrist
Science
Breakfast
Art
" I have many intense friendships with artists. I don't mean we have intense one-day conversations but ongoing conversations that last in some cases for years. "
Hans-Ulrich Obrist
Intense
Last
Many
" I remember going to a monastery library when I was very young and being surrounded by ancient books. I fell in love. "
Hans-Ulrich Obrist
Love
Young
Library
" One of my favourite exhibitions is called 'Do It,' which I co-curated with the artists Christian Boltanski and Bertrand Lavier 21 years ago. "
Hans-Ulrich Obrist
Artists
Christian
Favourite
" At a certain time, an artist needs a big retrospective. At other times, they need a more focused exhibition. It's a different story each time; it's about establishing a dialogue. "
Hans-Ulrich Obrist
Artist
Time
Story
" In this new age of GPS, Google Earth and multidimensional digital maps, mapping is suddenly hugely relevant again. "
Hans-Ulrich Obrist
Digital
Earth
Google
" I really do think artists are the most important people on the planet, and if what I do is a utility and helps them, then that makes me happy. I want to be helpful. "
Hans-Ulrich Obrist
Important
Think
People
" I started going to exhibitions in Switzerland when I was 10 or 11. As a schoolboy, I would go every afternoon to see the long, thin figures of Giacometti. "
Hans-Ulrich Obrist
Go
Started
Switzerland
" Fly-in, fly-out curating nearly always produces superficial results; it's a practice that goes hand in hand with the fashion for applying the word 'curating' to everything that involves simply making a choice - radio playlists, hotel decor, even the food stalls in New York's High Line Park. "
Hans-Ulrich Obrist
Food
Practice
Fashion
" My most famous show is the 'Kitchen Show.' More famous than any gallery show or museum show I curated. "
Hans-Ulrich Obrist
Show
Any
Museum
" Exhibitions usually are not collected; they disperse after they take place. "
Hans-Ulrich Obrist
After
Place
Take
" For me, the making of exhibitions has always had to do with dialogue: a concentrated, in-depth, focused dialogue with artists, who keep teaching me that exhibitions should always invent new rules for the game. "
Hans-Ulrich Obrist
Focused
Always
Game
" Switzerland felt incredibly narrow, growing up. It was good, in a way. There were so many museums. But it was always a no-brainer that I would have to leave, and I'm grateful for that. "
Hans-Ulrich Obrist
Growing
Grateful
Growing Up