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" I feel like in an interview situation, it's a kind of intimacy that I can understand and handle - versus in real life, when I'm much more of a bumbler and have a hard time. "
Ira Glass
Feel
Understand
Time
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" Traditional broadcast media seems old-fashioned and vague to me. When I watch television news, I'm aware of what skilled journalists they are, but I find it hard because of the corny way they present it. "
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" The atheist market is a very overlooked and powerful market, it turns out. "
Ira Glass
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" It took, for me, a long time to develop this idea of what to do on the radio. But from the beginning of my time in radio, I had pretty non-traditional tasks. "
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" Like, radio is closer to a Tumblr, or a blog, or Twitter, than it is to television, I think. "
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" Semiotics is really interested in the questions like, what keeps you watching something, what keeps you - you know, what keeps you listening to a story on the radio? Like, what keeps you turning the pages in a book? What's the pleasure of it that's moving you forward, that's pulling you in and grabbing you and pulling you forward? "
Ira Glass
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" Honestly, there are so many things about structuring a story for film and telling a story for film that are really different from doing radio. "
Ira Glass
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" Any story hits you harder if the person delivering it doesn't sound like some news robot but in fact sounds like a real person having the reactions a real person would. "
Ira Glass
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You
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" The story is a machine for empathy. In contrast to logic or reason, a story is about emotion that gets staged over a sequence of dramatic moments, so you empathize with the characters without really thinking about it too much. It is a really powerful tool for imagining yourself in other people's situations. "
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Empathy
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" People are generally forced to change. We don't want to change, and then something absolutely forces us to realize that what we are doing isn't working or that our picture of the world is wrong. We fail. So we change. "
Ira Glass
Picture
Doing
People
" I don't go looking for stories with the idea of wrongness in my head, no. But the fact is, a lot of great stories hinge on people being wrong. "
Ira Glass
Wrong
Go
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" When I was in college, I was a semiotics major, which is this hopelessly pretentious body of French literary theory. "
Ira Glass
Body
College
Pretentious
" The flakier your mission, the fiercer you have to be on the business side. "
Ira Glass
Mission
Business
You
" I hate dream sequences in movies and T.V. shows generally for their heavy-handed symbolism and storytelling tediousness. "
Ira Glass
Shows
Dream
Hate
" I'm trying to make perfect moments. And those generate meaning. If you go deep enough in how to make a moment, very quickly you come to how narrative works - to what we are as a species, how we've come up with telling stories in scenes and images. "
Ira Glass
Moment
Deep
Meaning
" I only got interested in radio once I talked my way into an internship at NPR's headquarters in Washington, D.C. in 1978, never having heard the network on the air. "
Ira Glass
Never
Got
Radio
" I don't tweet because I don't need another creative venue. I don't need another form for self-expression. I don't need another way to get my thoughts out to people. I have one. I'm good. "
Ira Glass
Good
Need
Creative
" I didn't watch T.V. from the time I was 18 'til my mid-30s. And then I got a T.V. to watch 'The Sopranos.' I realized, 'Oh, T.V. is really interesting.' "
Ira Glass
Watch
Got
Oh
" I'm in production year round. I work long hours. I have a dog and a wife. There's not a lot of available time for consuming any culture: T.V., movies, books. When I read, it's generally magazines, newspapers and web sites. "
Ira Glass
Culture
Time
Dog
" I like excess. And giant M&M's. "
Ira Glass
Excess
Giant
Like
" When you're learning, especially to write, unless you're some incredibly gifted writer, a young Malcom Gladwell, say, you need to be imitating people. You need to be imitating how they make their work, how they structure it, how they design the pieces. It gives you chops; it gives you moves. "
Ira Glass
Learning
Say
Work
" When I was a bad writer, I would consciously imitate other NPR writers who I thought were wonderful. I suppose that everyone's artistic practice is different. But I collaborate and sometimes don't agree at all with my collaborators' opinions. It forces you to understand why you don't agree with something: what's the fight you're picking. "
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Practice
Opinions
You
" I was a freelancer all through my 20s and was very slow to get good at what I did. "
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Through
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Very
" I think one of the reasons that I got so good at it, as somebody making radio stories, is that on the radio I can actually - I can understand what's happening in the interview and can make a connection in a way that makes sense. "
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Way
Understand
Think
" You get into this situation, performing for T.V., where you have to speak with utter sincerity. It's just like the radio. You have to say it like you mean it, even though the thing you're saying is actually planned out. "
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You
Speak
Situation
" I eat the same breakfast and lunch every day, both at my desk. I employ no time-saving tricks at all. "
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Every Day
" Honestly, like, I'm a superfan of the 'New York Times,' but I know nothing about how they put it together, and I really don't care. "
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Know
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Nothing
" I feel like dance, by its nature, goes so easily to grand and beautiful. "
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" But sadly, one of the problems with being on public radio is that people tend to think you're being sincere all the time. "
Ira Glass
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People
" I read the newspaper, but I live in my own little bubble. "
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" Radio is for driving. "
Ira Glass
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