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" The non-utility of my kitchen could be transformed into its utility for art. To do a show there would mix art and life, naturally. "
Hans-Ulrich Obrist
Transformed
Life
Kitchen
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" When I was 17, I met many artists, and it started to become this conversation with artists out of which all of my exhibitions grew. "
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" For me, it's always been very essential to work on projects that one can work on almost for their entire life. "
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" Many artists have not been able to realise their fondest projects. My role is to help them. "
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" There is nothing deeper than to work for a year with the same artist. "
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" One of my favourite exhibitions is called 'Do It,' which I co-curated with the artists Christian Boltanski and Bertrand Lavier 21 years ago. "
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" My most famous show is the 'Kitchen Show.' More famous than any gallery show or museum show I curated. "
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" Numerous are the posthumous museums and memorials devoted exclusively to one artist, architect or author and designed to preserve or artificially reconstruct the namesake's original working or living conditions. "
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" For me, the making of exhibitions has always had to do with dialogue: a concentrated, in-depth, focused dialogue with artists, who keep teaching me that exhibitions should always invent new rules for the game. "
Hans-Ulrich Obrist
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Always
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" I went to the studio of Fischli Weiss, and it was magical. I thought: 'This is what I want to do with my life; I want to work with artists and be useful to them.' I was magnetically attracted. "
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Thought
Want
Life
" I spent 250 to 300 days of every year on the road. But in the end, I felt something was missing. I needed to be anchored so I could concentrate, so in 2000, I established a new methodology - the one I use today. I spent the week in my office and travelled every weekend, even at Christmas. "
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End
Christmas
Weekend
" At a certain time, an artist needs a big retrospective. At other times, they need a more focused exhibition. It's a different story each time; it's about establishing a dialogue. "
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Time
Story
" Alex Poots has always made a bridge between highly experimental and the mainstream. "
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Alex
" To record is a process against forgetting. I do interviews because it's what I've been doing every day for a few hours since I was a kid. I've always talked to artists. "
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Doing
Always
Day
" At a certain moment, when I started doing my own shows, I felt it would be really interesting to know what is the history of my profession. I realized that there was no book, which was kind of a shock. "
Hans-Ulrich Obrist
Moment
Book
History
" Since 2000, I've been based in Paris at the Musee d'Art Moderne de la Ville, curating the programme there. Internationally, it's a very open situation that goes beyond national boundaries; directors and curators move from one country to another, which has opened up the museum landscape. "
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" During my time at high school and university in Kreuzlingen and St. Gallen, I traveled around Europe looking at art, visiting artists, studios, galleries and museums. "
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Looking
Time
" When I was a kid and started to be obsessed by art in the 1980s, the art world was in this polarity Warhol/Beuys, Beuys/Warhol. Both expended the notion of art extremely, but in very different ways. "
Hans-Ulrich Obrist
Art
World
Started
" From 1991 to 2000, I was totally nomadic. I was travelling 300 days a year and building out my research. These were a bit like my learning and migrating years, so to say. "
Hans-Ulrich Obrist
Building
Learning
Research
" I still remember my first Giacometti exhibition, and going back to the museum every day, whenever I could, to look again and again at these long, thin stick figures, so beautiful, so graceful. That, I think, was the moment I became really obsessed by art. "
Hans-Ulrich Obrist
Long
Beautiful
Art
" Exhibitions usually are not collected; they disperse after they take place. "
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After
Place
Take
" I'm trying to expand the notion of curating. Exhibitions need not only take place in galleries, need not only involve displaying objects. Art can appear where we expect it least. "
Hans-Ulrich Obrist
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Need
Expect
" I think the art fair is very much a form of urbanism. I think something really happens to the cities when such a fair happens. The city becomes an exhibition; it's amazing. "
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Art
" Everything I do is somehow connected to velocity. "
Hans-Ulrich Obrist
Velocity
Somehow
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" Our economy's growth functions by inciting us to produce more and more with each passing year. In turn, we require cultural forms to enable us to sort through the glut, and our rituals are once again directed towards the immaterial, towards quality and not quantity. "
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Us
Economy
Growth
" I'm very interested in the idea of unusual museums, ones that are not necessarily contemporary art museums - more like historical collections or house museums. "
Hans-Ulrich Obrist
Unusual
Like
House
" To be honest, I think, for me, the power is always with art. The art world clearly couldn't happen without art. "
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Me
Power
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" I always have coffee and porridge for breakfast. "
Hans-Ulrich Obrist
Breakfast
Always
Coffee
" I would go from one city to the next, inspired by the monks in the Middle Ages, who would carry knowledge from one monastery to the next monastery. "
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City
Carry
Knowledge
" I don't wake up in the morning and think about Franz Kline. "
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" For me, the idea of curating can be expanded. Curating science, curating art, music and theater and performance and not only bring those things into art but bring art into those areas. "
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Science
Music
Performance