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" I remember going to a monastery library when I was very young and being surrounded by ancient books. I fell in love. "
Hans-Ulrich Obrist
Love
Young
Library
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" It's quite an obscure notion for a kid, no? To want to be a curator. But even then, I knew that I would do this. "
Hans-Ulrich Obrist
Want
Then
Even
" Switzerland felt incredibly narrow, growing up. It was good, in a way. There were so many museums. But it was always a no-brainer that I would have to leave, and I'm grateful for that. "
Hans-Ulrich Obrist
Growing
Grateful
Growing Up
" I spent 250 to 300 days of every year on the road. But in the end, I felt something was missing. I needed to be anchored so I could concentrate, so in 2000, I established a new methodology - the one I use today. I spent the week in my office and travelled every weekend, even at Christmas. "
Hans-Ulrich Obrist
End
Christmas
Weekend
" I think the art fair is very much a form of urbanism. I think something really happens to the cities when such a fair happens. The city becomes an exhibition; it's amazing. "
Hans-Ulrich Obrist
Happens
Amazing
Art
" Making art is not the matter of a moment, and nor is making an exhibition; curating follows art. "
Hans-Ulrich Obrist
Exhibition
Art
Moment
" I don't wake up in the morning and think about Franz Kline. "
Hans-Ulrich Obrist
Think
Wake Up
About
" I started going to exhibitions in Switzerland when I was 10 or 11. As a schoolboy, I would go every afternoon to see the long, thin figures of Giacometti. "
Hans-Ulrich Obrist
Go
Started
Switzerland
" Alex Poots has always made a bridge between highly experimental and the mainstream. "
Hans-Ulrich Obrist
Made
Always
Alex
" I went to the studio of Fischli Weiss, and it was magical. I thought: 'This is what I want to do with my life; I want to work with artists and be useful to them.' I was magnetically attracted. "
Hans-Ulrich Obrist
Thought
Want
Life
" I always have coffee and porridge for breakfast. "
Hans-Ulrich Obrist
Breakfast
Always
Coffee
" Fly-in, fly-out curating nearly always produces superficial results; it's a practice that goes hand in hand with the fashion for applying the word 'curating' to everything that involves simply making a choice - radio playlists, hotel decor, even the food stalls in New York's High Line Park. "
Hans-Ulrich Obrist
Food
Practice
Fashion
" I still remember my first Giacometti exhibition, and going back to the museum every day, whenever I could, to look again and again at these long, thin stick figures, so beautiful, so graceful. That, I think, was the moment I became really obsessed by art. "
Hans-Ulrich Obrist
Long
Beautiful
Art
" Exhibitions usually are not collected; they disperse after they take place. "
Hans-Ulrich Obrist
After
Place
Take
" For me, the making of exhibitions has always had to do with dialogue: a concentrated, in-depth, focused dialogue with artists, who keep teaching me that exhibitions should always invent new rules for the game. "
Hans-Ulrich Obrist
Focused
Always
Game
" My job is art curator, not artist. All I have ever wanted to do is immerse myself in art, to enjoy it, to learn about it, to write about it, to talk to others about it. "
Hans-Ulrich Obrist
Art
Learn
Myself
" To be honest, I think, for me, the power is always with art. The art world clearly couldn't happen without art. "
Hans-Ulrich Obrist
Me
Power
Think
" Most cities have a centre surrounded by suburbs, but London has numerous centres: it's the model of a twenty-first century metropolis. "
Hans-Ulrich Obrist
Most
Model
London
" From 1991 to 2000, I was totally nomadic. I was travelling 300 days a year and building out my research. These were a bit like my learning and migrating years, so to say. "
Hans-Ulrich Obrist
Building
Learning
Research
" During my time at high school and university in Kreuzlingen and St. Gallen, I traveled around Europe looking at art, visiting artists, studios, galleries and museums. "
Hans-Ulrich Obrist
School
Looking
Time
" My great inspiration has always been Studs Terkel, who is a wonderful American oral historian. He was a radio DJ at first, interviewed a lot of jazz musicians, and at some point started to interview Americans about work. "
Hans-Ulrich Obrist
Great
Work
Musicians
" Since 2000, I've been based in Paris at the Musee d'Art Moderne de la Ville, curating the programme there. Internationally, it's a very open situation that goes beyond national boundaries; directors and curators move from one country to another, which has opened up the museum landscape. "
Hans-Ulrich Obrist
Situation
Up
Landscape
" At a certain moment, when I started doing my own shows, I felt it would be really interesting to know what is the history of my profession. I realized that there was no book, which was kind of a shock. "
Hans-Ulrich Obrist
Moment
Book
History
" I would go from one city to the next, inspired by the monks in the Middle Ages, who would carry knowledge from one monastery to the next monastery. "
Hans-Ulrich Obrist
City
Carry
Knowledge
" Many artists have not been able to realise their fondest projects. My role is to help them. "
Hans-Ulrich Obrist
Help
Role
Projects
" Our economy's growth functions by inciting us to produce more and more with each passing year. In turn, we require cultural forms to enable us to sort through the glut, and our rituals are once again directed towards the immaterial, towards quality and not quantity. "
Hans-Ulrich Obrist
Us
Economy
Growth
" My most famous show is the 'Kitchen Show.' More famous than any gallery show or museum show I curated. "
Hans-Ulrich Obrist
Show
Any
Museum
" At Performa in New York, there are a lot of commissions, but Manchester Festival is the only festival where everything is fully produced by the festival. "
Hans-Ulrich Obrist
New York
New
Everything
" Numerous are the posthumous museums and memorials devoted exclusively to one artist, architect or author and designed to preserve or artificially reconstruct the namesake's original working or living conditions. "
Hans-Ulrich Obrist
Museums
Artist
Living
" For me, it's always been very essential to work on projects that one can work on almost for their entire life. "
Hans-Ulrich Obrist
Almost
Always
Been
" Mr. Koons's work has always inspired architects, which I think is very interesting. I think he is an artist who has reinvented himself so many times and reinvented so many different series. "
Hans-Ulrich Obrist
Interesting
Work
Think