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" In terms of film festivals, Cannes is the greatest launch pad. "
Hirokazu Kore-eda
Festivals
Film
Pad
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" Fast cutting, loud music, blood spewing everywhere, and gunshots permeating the scenes does not necessarily make for a shocking movie. "
Hirokazu Kore-eda
Blood
Fast
Loud
" The Japanese don't have a specific religion, but a spirituality. A cap, shoes, and a table have a spirituality. When you eat an apple, you don't say you eat it: you say, 'I am receiving it.' Kind of like you are thanking the food. "
Hirokazu Kore-eda
Shoes
You
Food
" Sometimes when you watch children, you feel that they show emotions that you, as an adult, can relate to. "
Hirokazu Kore-eda
You
Feel
Sometimes
" Directing while overcoming differences of language and culture is a stimulating challenge. "
Hirokazu Kore-eda
Language
Culture
Challenge
" It's definitely good to have a hit from time to time, though not too often. If you have a few hits in a row, people start to think every film you make will be a hit, which is a big mistake. "
Hirokazu Kore-eda
Think
You
Good
" I'm less interested in death itself than in people whose lives are touched by it. "
Hirokazu Kore-eda
Less
People
Interested
" 'Like Father, Like Son' gave me the opportunity to show when it is not good with a father. "
Hirokazu Kore-eda
Show
Opportunity
Me
" There's a difference between people being free and the atmosphere of 'freedom.' "
Hirokazu Kore-eda
People
Being
Difference
" We used to have prawn tempura: that was my mother's favourite dish. But she had to go out to work instead of my father, so she couldn't find the time to cook nice meals. So we ate more modern food: a lot of frozen and instant food. But I never complained about it to my mother. "
Hirokazu Kore-eda
Time
Father
Food
" When I watch an actress say a line, I watch how they deliver the lines with gestures. "
Hirokazu Kore-eda
Actress
Watch
Line
" With 'Nobody Knows,' I consciously set out to make a fiction film, which is a different approach from 'Distance,' but I still applied a lot of the things I learned from making 'Distance': for example, how to use the camera in relation to the children and how to create the right atmosphere on set. "
Hirokazu Kore-eda
Camera
Create
Distance
" I am very happy that Japanese film can cross borders. "
Hirokazu Kore-eda
Am
I Am
Happy
" I have never made a film to praise or to criticize something. That kind of filmmaking is nothing but propaganda. "
Hirokazu Kore-eda
Praise
Nothing
Kind
" My grandfather had Alzheimer's. He would eat everything and anything that was around; then he wouldn't remember that he ate it and would demand to be fed again. "
Hirokazu Kore-eda
Eat
Everything
Grandfather
" When I was 27, I won an honorable mention in a scriptwriting contest and got a television job as an assistant director. "
Hirokazu Kore-eda
Job
Honorable
Director
" I particularly relate to the films of Mikio Naruse and Shinichi Kamoshita, a person whose work I watched very much as a child, a director of family dramas for television. "
Hirokazu Kore-eda
Work
Child
Family
" Privacy is not really a concept in Japan. "
Hirokazu Kore-eda
Privacy
Really
Japan
" We can see loss as something missing, but that missing space can be filled with something else, and that creates healing. "
Hirokazu Kore-eda
Healing
Else
Loss
" I wanted to make 'Nobody Knows,' a kind of summation of the experiences I gained from making my first three films, the good ones as well as the bad ones. "
Hirokazu Kore-eda
Nobody
First
Bad
" We learn many things from children, always. "
Hirokazu Kore-eda
Children
Always
Many
" I watch 'Electronic Boy' faithfully every week - not because I like the show but because I'm interested in where the smartest T.V. producers and directors are going, what direction they are headed in. "
Hirokazu Kore-eda
Like
Direction
Boy
" I never want to be the all-knowing god of the story, manipulating what's to happen or the action. "
Hirokazu Kore-eda
God
Never
Story
" All my mother ever wanted to talk about was what she hated about my father and the times he cheated on her when he was younger. It really irritated me, and I told them they had to sort things out between themselves. Looking back on that, I see that it was really cold of me as a son. "
Hirokazu Kore-eda
Son
Looking Back
Father
" When making documentaries, the most important thing I learned was to listen, observe gestures and facial expressions. "
Hirokazu Kore-eda
The Most Important
Important
Listen
" If my films did better at the box office in Japan, it would be easier to get them made. "
Hirokazu Kore-eda
Made
Japan
Easier
" The vividness of children is easier to see when they're completely left to their own devices. "
Hirokazu Kore-eda
See
Children
Left
" A lot of people, especially Japanese, come to the theater to have a good cry. "
Hirokazu Kore-eda
Japanese
People
Lot
" When I was a child, I loved making stories, so I thought maybe I would be a novelist. "
Hirokazu Kore-eda
Thought
Child
Loved
" My mother loved films! She adored Ingrid Bergman, Joan Fontaine, Vivien Leigh. We couldn't afford to go together to the cinema, but she was always watching their movies on TV. "
Hirokazu Kore-eda
Loved
Mother
Movies
" It is righteous to receive state subsidies to make films that criticise the state - I want Japanese people to accept such European values. "
Hirokazu Kore-eda
People
Want
Values