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" This new global economy, it's all based on the sea routes. "
Paul Greengrass
Sea
Based
New
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" I prize something that feels authentic. It's an undefinable thing, but I know it when I see it, and I think audiences do, too. One of the reasons why 'Bloody Sunday' and 'United 93' work is because they felt real, felt truthful. "
Paul Greengrass
Why
Think
Sunday
" The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean. "
Paul Greengrass
Think
Know
Best
" Finding where to put the camera is probably the most important thing you have to learn when you're a young director, and it's something that's a mixture of instinct and technique. "
Paul Greengrass
Learn
You
Camera
" One of the things that makes the Bourne movies so exciting, I think, is you do get to go on a journey. Generally, through the franchise, that journey is in Europe. "
Paul Greengrass
Journey
Through
Think
" The one mistake you must never make is to agree to make a film or sign on to film that you don't believe in. Most importantly because it's unfair on that. It's not about you; it's just not fair on that project because you're doing it a profound disservice because you're not serving it - you're uncommitted, ultimately. "
Paul Greengrass
Believe
You
Mistake
" Speaking personally as a filmmaker, I think encoded in Bond are a series of values about Britain, about the world, about masculinity, about power, about the empire that I don't share. Quite the reverse. Whereas in Bourne, I think encoded is much more scepticism. There's an us and a them, and Bourne is an us, whereas Bond is working for them. "
Paul Greengrass
World
Values
Think
" I just don't get on with institutions. I need simple relationships with people who believe in me. "
Paul Greengrass
Believe
People
Simple
" My films express me, my sense of rhythm, my sense of impact, my sense of kinetic energy. I like films to move, but I like also clear storytelling and characters, and most of all, I like authentic emotion. "
Paul Greengrass
Energy
Storytelling
Rhythm
" Making movies is both entirely ludicrous and incredibly hard. It's a preposterous way to spend your time. You give up a lot for the privilege of doing it, and one of the things you get are relationships of immense trust that you see forged in situations of immense stress. "
Paul Greengrass
Time
Stress
Movies
" In my little imperfect way, what I'm trying to do is understand the world. As a filmmaker, you realize as you get older that each film is part of a dialogue you're having with yourself. That started when I was working in documentaries. And in a way, I've never deviated from it. "
Paul Greengrass
Trying
Understand
World
" When you think of the Cold War, there are various places where you imagine espionage. Espionage crossroads of the Cold War bring you to the backstreets of Berlin, or Vienna. "
Paul Greengrass
Bring
Cold
Places
" In the end, it's acting, it's not real. But every director will tell you that you have to create conditions that create tension, because tension is what makes drama feel real. "
Paul Greengrass
Drama
Feel
Create
" It's no good in a scene to have one actor lie down because the scene says it's the other actor's moment. Each actor has to believe that with extra will, the outcome of a scene can be different. An actor can win the scene if he exerts the most powerful will in that moment. "
Paul Greengrass
Lie
Moment
Powerful
" No one person is the author of a Bourne film. The truth is it's a coalition of people who share the same vision for Bourne and his world, and we... its remarkably collaborative and collective. "
Paul Greengrass
Truth Is
Vision
World
" I don't want to feel what I'm creating on film has an outcome that is preordained. I don't think of the world as a place with a divinity that shapes our end. What you try to do with film is create, as far as you possibly can, an unfolding present - a theatre in which an outcome happens and is tested. "
Paul Greengrass
Place
End
Theatre
" I always tell young film-makers, 'Find the song that only you can sing.' It doesn't just come to you. It's trial and error and disappointment before you find, slowly but surely, the confidence to express your film-making identity. "
Paul Greengrass
Confidence
Identity
Disappointment
" I'll always see myself as a British filmmaker, powerfully so. "
Paul Greengrass
British
See
Myself
" Why are people saying it's too soon? Like the people on that flight, we need to agree about what to do about terrorism. And I think we need to have that conversation now. "
Paul Greengrass
Now
People
Saying
" The most important thing as a filmmaker, the hardest journey you'll have, is to find your point of view. "
Paul Greengrass
Important
Find
Journey
" Acting is many things, and one is an exercise of will. In any given scene, you're trying to find where the drama and conflict is and then deploy the actors to play at that point of conflict with precision, control, and complete will. "
Paul Greengrass
You
Acting
Conflict
" Action is only really compelling when it reveals character - character revealed through action, and not action for its own sake. "
Paul Greengrass
Action
Through
Own
" Deep down, all directors feel like frauds - because it's built into the nature of the job. You're the jack of all trades and the master of none. The cameraman knows the camera, the sound man knows the sound equipment - and you? You can't do anything: You can't do the acting, you can't dress the set, you don't record the sound or shoot the images. "
Paul Greengrass
Camera
Nature
Deep
" The people who went on that airplane were unexceptional. "
Paul Greengrass
Airplane
Who
Were
" Tom Hanks has built his career playing ordinary men. "
Paul Greengrass
Built
Ordinary
Career
" With the dramatic canvas, I found you could still operate with the documentarist's observational eye. "
Paul Greengrass
You
Canvas
Dramatic
" Studio people are bright. Empowering. They don't want to have to interfere creatively. That's their horror story, too. "
Paul Greengrass
Too
Bright
Horror
" What attracts me to Bourne's world is that is a real world, and I think I'm most comfortable there. But I come to a Bourne movie to have fun as a filmmaker, to strut my stuff, and that's part of the fun of franchise filmmaking. "
Paul Greengrass
Think
World
Fun
" Remembering is painful, it's difficult, but it can be inspiring and it can give wisdom. "
Paul Greengrass
Remembering
Wisdom
Difficult
" I am interested in seeing if you can create on film pieces that feel contemporary and urgent. "
Paul Greengrass
Seeing
I Am
Film
" To make a film is eighteen months of your life. It's seven days a week. It's twenty hours a day. "
Paul Greengrass
Life
Day
Days