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" Having been raised overseas, I wanted to become a diplomat. But the State Department thought I was too 'liberal' to be happy with that job. "
Thelma Schoonmaker
Liberal
Be Happy
Thought
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" My family goes way back in New York. So I am a New Yorker; I feel like a New Yorker. It's in my bones. "
Thelma Schoonmaker
New York
Way
Family
" Cutting improvisation is really hard, because things don't match, and you end up with some bad cuts sometimes. But we'd rather have the bad cuts and the great improv. "
Thelma Schoonmaker
Bad
You
Sometimes
" You have to have a great director to make a great movie. "
Thelma Schoonmaker
You
Make
Director
" I always thought that's the wonderful thing about filmmaking: people see things differently. "
Thelma Schoonmaker
Thought
Always
Filmmaking
" If forced to choose my favourite film, I would have to say 'Raging Bull' because it was the first feature film I worked on, and it was like having pure gold in my hands. But my husband's film 'The Life and Death of Colonel Blimp' is equally a favourite because of its enormous emotional power. "
Thelma Schoonmaker
Death
Husband
Power
" From the moment I met Martin Scorsese in 1962, he educated me about the films that had taught him so much about filmmaking. He had been deeply affected, even as a child, by great films that stretched his mind and struck into his heart, and he was eager to share them with friends and people who worked with him or with actors who were in his films. "
Thelma Schoonmaker
Heart
Me
Moment
" I hope films will be somehow preserved and seen by as many people as possible in the future. There are endless treasures for audiences to discover, if only we can keep them from disappearing. "
Thelma Schoonmaker
Possible
Will
Future
" I started in documentaries, and that was a great help to me with improvisation, because with documentaries, you're handed a big lump of footage, and you have to shape it and make it into a story - which I love doing. "
Thelma Schoonmaker
Great
You
Story
" If I hadn't met Scorsese, I would never have become a filmmaker. He has taught me everything I know about editing and has given me the best job in the world. "
Thelma Schoonmaker
Me
Know
Best
" The studio was very nervous about 'Raging Bull.' "
Thelma Schoonmaker
About
Nervous
Raging
" I love being around great artists, and I've been around a few of them. "
Thelma Schoonmaker
Love
Great
Few
" I won the Oscar for 'Raging Bull' for those fight sequences. If you look at those fight sequences, those were so incredibly storyboarded and shot in an incredible way - that is the conception a good director has to bring. "
Thelma Schoonmaker
Good
Way
You
" It's wonderful to work on footage by someone who understands how to get it to cut right, which a lot of directors don't. "
Thelma Schoonmaker
Someone
Who
Right
" Throwing things out is one of the most difficult and important things you ever have to do. "
Thelma Schoonmaker
Difficult
Most
Things
" I'm very lucky. Most of my friends wait long times for jobs and also don't get the chance to work on 20 films, like I have, with someone like Scorsese. I love working for him. I just would never - I can't imagine working for anybody else. "
Thelma Schoonmaker
Work
Chance
Friends
" With digital editing, I now can make many, many versions of a scene. "
Thelma Schoonmaker
Make
Scene
Now
" I just happened to see an ad saying 'Willing to train an assistant editor,' and I learned enough from that to go to NYU for just one summer course. That's all that I could afford. "
Thelma Schoonmaker
Summer
Enough
Go
" It's hard for people to understand editing, I think. It's absolutely like sculpture. You get a big lump of clay, and you have to form it - this raw, unedited, very long footage. "
Thelma Schoonmaker
You
Understand
Long
" I don't think you can be a great director without knowing a lot about editing. "
Thelma Schoonmaker
Great
Knowing
Lot
" Film, if properly cared for, will last almost 100 years, but digital will not. "
Thelma Schoonmaker
Digital
Almost
Film
" 'Raging Bull' was just a dream to work on, but it took a lot of work to get all those fights to work right and incorporate them properly into the story. "
Thelma Schoonmaker
Just
Dream
Story
" As you can imagine, between Michael Powell and Martin Scorsese, I've had quite a rich life! "
Thelma Schoonmaker
Quite
Life
Imagine
" Whenever I can, I like to go to Cotswolds, in England, where my husband had a cottage. I spend my time reading his diaries, which I would like to publish. "
Thelma Schoonmaker
Reading
Go
Husband
" There's a great deal of mystery in film editing, and that's because you're not supposed to see a lot of it. You're supposed to feel that a film has pace and rhythm and drama, but you're not necessarily supposed to be worried about how that was accomplished. "
Thelma Schoonmaker
See
You
Mystery
" I know a lot of editors who are very bitter about the directors they work with. They feel they could have done a better job, and I say to them, 'Oh really? Why don't you go try - it's not easy.' "
Thelma Schoonmaker
Know
You
Better
" When you're in a movie with an audience, you can feel where a film is dragging. People start to move. They fidget. You need that perspective. To give it a cold eye. "
Thelma Schoonmaker
Perspective
Start
You
" An actor's performance can be improved or shaped - or ruined - by what takes you use, how long you are on the actor's face, what line you put on the other actor's face, and when do you use close-ups or wide shots or two shots. "
Thelma Schoonmaker
Line
You
Two
" Some young filmmakers, unfortunately, don't have the ability to resist attempts to maybe cut their films down unfairly. "
Thelma Schoonmaker
Ability
Young
Some
" We do documentaries on the history of cinema in between our feature films. "
Thelma Schoonmaker
Documentaries
History
Our
" The difference between a film that ends up three hours and a film that is envisioned as three hours is that it's written that way. "
Thelma Schoonmaker
Film
Hours
Three