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" Some actors have an affinity for dance, and they should explore it, train in it, and get good. "
David Leitch
Dance
Some
Train
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" I've been doing second unit for years, which is sort of like directing mini movies. Now that I'm directing entire films, it's really just more of everything. There are a lot more questions that need answers. "
David Leitch
Need
Now
Doing
" Even when you're being safe, eight hours of choreography makes you look like you've been through a war. It's hard. It's like playing hockey for eight hours. "
David Leitch
Hockey
War
Safe
" I think what's really important is to challenge yourself. You can very easily fall into the rut of, 'We know it works! We'll use that old chestnut.' "
David Leitch
Know
Fall
Challenge
" As a filmmaker, I'm a collaborator first. "
David Leitch
First
Filmmaker
Collaborator
" While filming 'The Matrix,' we studied how a Chinese fight-choreography team trains actors before production starts so that they can participate in action sequences in a more dynamic way. "
David Leitch
Way
Production
Action
" You know, the 'Atomic Blonde' universe is its own universe. There's influences obviously of Bond and Bourne and 'Wick,' all the things I've been exposed to, but it is its own universe. "
David Leitch
Know
Own
Universe
" As a stunt guy, you become a mini-director. You're talking to actors about performance. "
David Leitch
Talking
Stunt
Become
" I find fight scenes actually more interesting, in a way, than chase scenes because you're watching your character go through this problem-solving process and fight the antagonist mano-a-mano. It's more powerful, more emotional. "
David Leitch
Process
Character
Fight
" It's called 'John Wick' - it's really about this guy's very simple journey. We just didn't want to clutter it. It's gratifying it in its own right, in its simplicity. "
David Leitch
Journey
Want
Simplicity
" The vehicle-stunt world is so specialized. But when you spend so long in it as a stunt coordinator, you're exposed to all the disciplines, so it's always fun to combine the two ideas - a car chase and a fight scene - and make something more dynamic. "
David Leitch
World
Ideas
Fun
" Shooting a fight is like shooting any other scene. You have to tell a story using a very specific choreography. "
David Leitch
Like
Fight
You
" I think in the 'Deadpool' franchise, the writers are really good at distilling the good stuff and applying that to the material in this universe. "
David Leitch
Think
Franchise
Good
" The thing that I like about action sequences is that if they're done well, you get to know more about the character in those few minutes than you do through 10 minutes of exposition. "
David Leitch
You
More
Know
" I think, as a choreographer and an action designer, you're constantly giving your characters problems to overcome. That's what makes it fun for choreography. But it also makes it fun for the audience to see them solve those puzzles and how they are as a human being. "
David Leitch
Action
Fun
Giving
" There are a lot of big action movies that we've worked on where the attitude has been, 'Let's just get through this scene.' Then you get those jumpy, what-were-they-thinking action sequences. "
David Leitch
Through
Movies
Attitude
" Selling art is a lot different than making it. "
David Leitch
Selling
Than
Art
" The character of Cable is complex. "
David Leitch
Cable
Complex
Character
" All film, at the end of the day, has wish-fulfillment. "
David Leitch
Day
End Of The Day
End
" You learn tricks to make action look more dynamic - having the fight come toward you or shooting on a longer lens to compress the speed. "
David Leitch
Action
Fight
Speed
" I'm a fan of the sensibility of comics, and I love the escapism of them and the defining of good and evil. They're just so creative, too. "
David Leitch
Evil
Love
Fan
" If you have John Goodman in your movie, you want to use him as much as possible. "
David Leitch
Much
Him
Want
" People want to be empowered to the point where they can thwart their enemies physically. "
David Leitch
Where
People
Enemies
" Coming from an action background, I always approach the action sequences in any script as kind of placeholders. "
David Leitch
Coming
Kind
Always
" Choreographing a fight scene is telling a little story. You learn a lot about the characters involved. "
David Leitch
Lot
You
Story
" You always start a fight scene or an action scene with, 'What are we learning about this character at the moment, and how are we gonna arc him or her in the next three minutes,' and it's no different with 'Deadpool' or 'Atomic Blonde' or 'John Wick.' "
David Leitch
Fight
Character
You
" If you're trying to get to the underworld of Berlin, it's not suits and ties; it's rock and roll. "
David Leitch
Trying
Suits
Rock And Roll
" There's a lot of directing within the stunt coordinator's job. "
David Leitch
Lot
Job
Directing
" Film is a collaborative art form. I don't know why you wouldn't recognize the stunt performers. "
David Leitch
You
Why
Art
" Sometimes, the action genre does get stale. Although I want to go back and see my favorite characters in their tentpoles - and will religiously do that - it's really fun to see breakout ideas and concepts. Let's make some new stories. "
David Leitch
Sometimes
Fun
Back
" I've been really fortunate in my career to do budgets at all different levels. "
David Leitch
Career
Different
Fortunate