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" Shooting a fight is like shooting any other scene. You have to tell a story using a very specific choreography. "
David Leitch
Like
Fight
You
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" The vehicle-stunt world is so specialized. But when you spend so long in it as a stunt coordinator, you're exposed to all the disciplines, so it's always fun to combine the two ideas - a car chase and a fight scene - and make something more dynamic. "
David Leitch
World
Ideas
Fun
" The way you present a stunt is tied in to the way you photograph it, so you're hanging out with the cinematographer. "
David Leitch
Way
Hanging
Present
" There are a lot of big action movies that we've worked on where the attitude has been, 'Let's just get through this scene.' Then you get those jumpy, what-were-they-thinking action sequences. "
David Leitch
Through
Movies
Attitude
" You have to make bold choices to be noticed. "
David Leitch
Choices
Make
Noticed
" There's an arc to an action sequence, and you need to come out the other end knowing your character better, and maybe the story has moved forward in a compelling way. "
David Leitch
Story
Action
Better
" I think, as a choreographer and an action designer, you're constantly giving your characters problems to overcome. That's what makes it fun for choreography. But it also makes it fun for the audience to see them solve those puzzles and how they are as a human being. "
David Leitch
Action
Fun
Giving
" People have given their lives to this industry to make movies compelling. "
David Leitch
Industry
People
Movies
" You can sometimes break rules in comics that you can't necessarily break in cinema. It's fun to find something cool in a comic and then try and find a way to break the same rule in another medium. "
David Leitch
You
Rules
Fun
" The thing that I like about action sequences is that if they're done well, you get to know more about the character in those few minutes than you do through 10 minutes of exposition. "
David Leitch
You
More
Know
" Sometimes, the action genre does get stale. Although I want to go back and see my favorite characters in their tentpoles - and will religiously do that - it's really fun to see breakout ideas and concepts. Let's make some new stories. "
David Leitch
Sometimes
Fun
Back
" Even when you're being safe, eight hours of choreography makes you look like you've been through a war. It's hard. It's like playing hockey for eight hours. "
David Leitch
Hockey
War
Safe
" You learn tricks to make action look more dynamic - having the fight come toward you or shooting on a longer lens to compress the speed. "
David Leitch
Action
Fight
Speed
" I think the biggest thing you take from the stunt world is your understanding of the filmmaking process. For years, you've worked with every other department closely. You know hair, makeup, wardrobe, special effects, and you know what everybody's needs are and their expectations. You also know how to collaborate with them. "
David Leitch
Makeup
World
Think
" The completely irreverent tone was the thing that won me over about the first 'Deadpool' movie. "
David Leitch
Me
Over
Tone
" The DNA of 'Deadpool' shouldn't change. "
David Leitch
Change
DNA
" People want to be empowered to the point where they can thwart their enemies physically. "
David Leitch
Where
People
Enemies
" Music emotionally and psychologically transports you immediately. "
David Leitch
Immediately
Emotionally
Music
" Selling art is a lot different than making it. "
David Leitch
Selling
Than
Art
" Part of the problem is that many directors treat female characters too often as precious. Or they want to live in a fantasy world where they just do spinning hook kicks and knock out guys who are six foot four, and that doesn't work either. "
David Leitch
Live
World
Treat
" I look at the action scenes as placeholders when I arrive on a script, knowing that I'm going to expand on them when I understand the constraints of the movie, the locations of where we're shooting, the abilities of the actors, and where we want to go with the characters. "
David Leitch
Want
Action
Knowing
" If you have John Goodman in your movie, you want to use him as much as possible. "
David Leitch
Much
Him
Want
" It's called 'John Wick' - it's really about this guy's very simple journey. We just didn't want to clutter it. It's gratifying it in its own right, in its simplicity. "
David Leitch
Journey
Want
Simplicity
" In the stunt world, fights and vehicles are often two different disciplines. "
David Leitch
Vehicles
Stunt
Different
" All film, at the end of the day, has wish-fulfillment. "
David Leitch
Day
End Of The Day
End
" Take up martial arts and get proficient. Take a sword-fighting class. Dive in and immerse yourself in it as you would any other acting class, so when the opportunity comes, that skill can be really utilized, and it's not half-baked. "
David Leitch
You
Acting
Dive
" As a stunt guy, you become a mini-director. You're talking to actors about performance. "
David Leitch
Talking
Stunt
Become
" Spies go undercover. They take on different personas. "
David Leitch
Undercover
Take
Go
" The character of Cable is complex. "
David Leitch
Cable
Complex
Character
" We don't want John Wick to retire again; we're glad he's back in the game. We want a sequel or a prequel. There's a lot of fertile ground to cover. "
David Leitch
Retire
Again
Back
" Film is a collaborative art form. I don't know why you wouldn't recognize the stunt performers. "
David Leitch
You
Why
Art