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" There is no way for me to replicate for you what a sentence reads like for a Chinese reader. "
Ken Liu
Me
Like
Chinese
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" Real history is far more complex and interesting than the simplistic summaries presented in Wikipedia articles. Knowing this allows you to question received wisdom, to challenge 'facts' 'everybody' knows to be true, and to imagine worlds and characters worthy of our rich historical heritage and our complex selves. "
Ken Liu
Rich
History
Facts
" The idea that somehow the way forward is to abandon the past, to me, is preposterous and both undesirable and unrealistic. "
Ken Liu
Way
Past
Me
" I think the narrative of people being caught between two cultures as immigrants is very harmful. It's exclusionary. It essentially tries to argue that some Americans are more real than others. "
Ken Liu
Others
Think
Real
" The evolution of technology is, like the evolution of literature, heavily path-dependent. Culture plays a far more important role in the acceptance, adoption, and spread of technology than many of us are willing to acknowledge. "
Ken Liu
Acceptance
More
Technology
" I certainly have been writing stories that are hard science fiction, that are very reminiscent of 'Golden Age tales' from the '40s and '50s. I've also written stories that are very high fantasy that are the direct opposite of that style. "
Ken Liu
Age
Writing
Style
" Writers are naturally obsessed with books, the tangible artifacts of their labor. Even beyond the text, I love the physicality of books, the possibilities presented by their substance and form. "
Ken Liu
Text
Beyond
Possibilities
" In every revolution, there are winners and losers. Every dystopia is a utopia for somebody else. It just depends where you are. Are you in the class that benefits, or are you in the class that's not? "
Ken Liu
Utopia
Revolution
Winners
" The way a story makes an argument is quite different from the way a persuasive essay does it. Emotional truth and the logic of metaphors dominate. "
Ken Liu
Argument
Logic
Story
" We have never had a society that was truly just. Some groups have always benefited at the expense of others. "
Ken Liu
Just
Never
Others
" The Singaporean speculative tradition is different. Singapore doesn't conceive itself as the centre of the world or the one country that's going to save the world, so there's a different tone that comes out in the way speculative fiction is done. That's refreshing to read. "
Ken Liu
Way
Country
Tradition
" I think male authors who want to try to tackle these issues of representation of women can generally do a better job if they try to question traditional notions of masculinity and the sort of toxic nature of traditional ways of presenting masculinity. "
Ken Liu
Try
Think
Nature
" I'm very interested in foundational narratives. "
Ken Liu
Interested
Very
Narratives
" I think writing novels has taught me more about the value of patience and being organized. I've learned to use timelines and wikis to track decisions and make sure everything still fits together. It's both easier and harder than writing short fiction. "
Ken Liu
Decisions
Me
Patience
" 'The Grace of Kings' draws on Western traditions as much as it does on Chinese traditions, though the bones of the story are drawn from the Chu-Han Contention period before the Han Dynasty. "
Ken Liu
Grace
Bones
Traditions
" The evolution of art is not only driven by artists, but by a conversation between the artists and the audience. "
Ken Liu
Conversation
Audience
Art
" In general, writers who talk to their colleagues and neighbors constantly about their own writing seem to me pretty insufferable. I try not to be that guy. "
Ken Liu
Me
Own
Colleagues
" I was not trying to write some sort of serious meditation on war and peace. 'The Grace of Kings' is meant to be a fun book. It's meant to be an epic fantasy. "
Ken Liu
Serious
Peace
Grace
" It is not possible to completely eliminate mediation between you as an observer and the history you are trying to understand. "
Ken Liu
You
Trying
History
" The novel that an author writes is often not the novel that the reader reads, and most of the 'messages' in a novel are put there by the reader. There's nothing wrong with that, of course. That's how literature functions. "
Ken Liu
How
Nothing
Literature
" Trying to predict the future is a loser's game. "
Ken Liu
Future
Game
Loser
" I don't have a specific message for 'The Grace of Kings' and the sequels in mind other than wanting to challenge some of the source material I was working from as well as some of the assumptions of epic fantasy. "
Ken Liu
Kings
Grace
Challenge
" Because I really love tax, tax topics actually feature quite a lot in my fiction of various lengths. I once wrote a science fiction short story centered around the idea of an alien tax code, and the idea that you can understand a society by parsing its tax code. "
Ken Liu
Love
Science
Short
" My translation work has been pretty separate from my fiction, as it was basically an accidental side project that turned into a separate and parallel career. "
Ken Liu
Pretty
Project
Side
" I like the law. I like the part that's about reasoning, about persuasion, about telling stories, about trying to build structures that fall within rules. "
Ken Liu
Persuasion
Trying
Rules
" I was a tax attorney for something like seven years, so I was a tax geek. I was really into it. Tax is one of those things that people think is incredibly boring, but like any science about systems, once you get into it it, becomes incredibly intricate and interesting. "
Ken Liu
Think
You
Interesting
" The problems faced by writers of color are analogous to the problems face by women writers. "
Ken Liu
Writers
Color
Face
" Like steampunk, silkpunk is a blend of science fiction and fantasy. But while steampunk takes its inspiration from the chrome-brass-glass technology aesthetic of the Victorian era, silkpunk draws inspiration from East Asian antiquity. "
Ken Liu
Science
Technology
Fantasy
" I don't believe in reducing a style and a voice down to a set of descriptions, so I've never done that. "
Ken Liu
Done
Voice
Style
" My metaphor for translation has always been that translation is really a performance art. You take the original and try to perform it, really, in a different medium. Part of that is about interpretation and what you think the author's voice really is. "
Ken Liu
Try
Voice
You
" There's this long history of colonialism and the colonial gaze when applied to matters related to China. So a lot of conceptions about China in literary representations in the West are things you can't even fight against because they've been there so long that they've become part of the Western imagination of China. "
Ken Liu
Imagination
History
Fight