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" It's definitely good to have a hit from time to time, though not too often. If you have a few hits in a row, people start to think every film you make will be a hit, which is a big mistake. "
Hirokazu Kore-eda
Think
You
Good
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" In the eighties, there was a huge shift in the humor of Japanese television. Up until then, the humor was garnered by people who said humorous things, but in the '80s, it was garnered by people who were being laughed at while the audience watches and watches. "
Hirokazu Kore-eda
Television
Watches
Humor
" All my mother ever wanted to talk about was what she hated about my father and the times he cheated on her when he was younger. It really irritated me, and I told them they had to sort things out between themselves. Looking back on that, I see that it was really cold of me as a son. "
Hirokazu Kore-eda
Son
Looking Back
Father
" I'm less interested in death itself than in people whose lives are touched by it. "
Hirokazu Kore-eda
Less
People
Interested
" There's a difference between people being free and the atmosphere of 'freedom.' "
Hirokazu Kore-eda
People
Being
Difference
" I believe that any auteur categorised in terms of an -ist or an -ism wouldn't be able to capture the complex essence of human nature. "
Hirokazu Kore-eda
Believe
Human Nature
I Believe
" I am very happy that Japanese film can cross borders. "
Hirokazu Kore-eda
Am
I Am
Happy
" You only get back what you are prepared to put in. "
Hirokazu Kore-eda
Get
Back
Prepared
" When you make a documentary, you have to adapt to what reality imposes upon you. "
Hirokazu Kore-eda
Adapt
Reality
Documentary
" I am hopeful that films can connect people who are in conflict in a separated world. "
Hirokazu Kore-eda
World
Conflict
Connect
" Sometimes when you watch children, you feel that they show emotions that you, as an adult, can relate to. "
Hirokazu Kore-eda
You
Feel
Sometimes
" When making documentaries, the most important thing I learned was to listen, observe gestures and facial expressions. "
Hirokazu Kore-eda
The Most Important
Important
Listen
" Japanese feel an intimacy with the dead, at least for people up to my generation. "
Hirokazu Kore-eda
Feel
Dead
People
" When I watch an actress say a line, I watch how they deliver the lines with gestures. "
Hirokazu Kore-eda
Actress
Watch
Line
" I have been told that... time doesn't flow in a straight line in my films. It goes round in a circle. Sometimes people comment that the films remind them of Ozu. Maybe that's right. But in Japan, nobody comments on how time passes in my films. So perhaps that is a different way of thinking. "
Hirokazu Kore-eda
Circle
Thinking
Time
" It is righteous to receive state subsidies to make films that criticise the state - I want Japanese people to accept such European values. "
Hirokazu Kore-eda
People
Want
Values
" When I choose child actors, I chose them for their personalities. And then I work with their own vocabulary, so I'm not imposing text or dialogue on them: I'm just receiving. "
Hirokazu Kore-eda
Child
Just
Dialogue
" The Japanese don't have a specific religion, but a spirituality. A cap, shoes, and a table have a spirituality. When you eat an apple, you don't say you eat it: you say, 'I am receiving it.' Kind of like you are thanking the food. "
Hirokazu Kore-eda
Shoes
You
Food
" In terms of film festivals, Cannes is the greatest launch pad. "
Hirokazu Kore-eda
Festivals
Film
Pad
" When I am 60 or 70, I am sure I can still continue to make films on families. "
Hirokazu Kore-eda
Make
I Am
Continue
" I'm so entranced by what unfolds in front of the camera. It seems wonderfully out of my control. "
Hirokazu Kore-eda
Control
Seems
Front
" I wanted to make 'Nobody Knows,' a kind of summation of the experiences I gained from making my first three films, the good ones as well as the bad ones. "
Hirokazu Kore-eda
Nobody
First
Bad
" The vividness of children is easier to see when they're completely left to their own devices. "
Hirokazu Kore-eda
See
Children
Left
" A film is not a vehicle to accuse, or to relay a specific message. If we reduce a film to this, we lose all hope for cinema to ignite a richer conversation. "
Hirokazu Kore-eda
Hope
Lose
Cinema
" I have never made a film to praise or to criticize something. That kind of filmmaking is nothing but propaganda. "
Hirokazu Kore-eda
Praise
Nothing
Kind
" Japanese society doesn't have a god - no absolute presence. "
Hirokazu Kore-eda
God
Japanese
Presence
" I particularly relate to the films of Mikio Naruse and Shinichi Kamoshita, a person whose work I watched very much as a child, a director of family dramas for television. "
Hirokazu Kore-eda
Work
Child
Family
" When I was 27, I won an honorable mention in a scriptwriting contest and got a television job as an assistant director. "
Hirokazu Kore-eda
Job
Honorable
Director
" I grew up without a father. "
Hirokazu Kore-eda
Father
Grew
Up
" A lot of people, especially Japanese, come to the theater to have a good cry. "
Hirokazu Kore-eda
Japanese
People
Lot
" Tokyo is wonderful for distribution of international films, a lot of Iranian films, Taiwanese films. But most of the art films are from Europe and Asia. "
Hirokazu Kore-eda
Tokyo
Wonderful
Most