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" Trying to project our expectations and our desires onto the sci-fi being written in China now isn't terribly helpful. "
Ken Liu
Project
Expectations
Now
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" I find most 'rules' about how to write a 'good story' confining, and I enjoy writing stories that don't look like stories at all on the surface. "
Ken Liu
Enjoy
Good
Look
" It's okay if you get rejected 20, 30 or 200 times... You don't need everyone to like your story - you just need one person who really likes your story. "
Ken Liu
Everyone
Story
Person
" There's inherent cultural imbalance whenever you're translating from Chinese to English. Educated Chinese readers are expected not only to know about all the Chinese references - history, language, culture, all this stuff - but to be well-versed in Western references as well. "
Ken Liu
History
Know
Culture
" It's true that misunderstanding and lack of understanding are often themes in my fiction, but I am grateful for the moments when true understanding is achieved, especially between writer and reader. It's miraculous. "
Ken Liu
Understanding
Grateful
I Am
" My fiction occupies, actually, the very heart of American culture: this eternal question and struggle of what it means to be an American. "
Ken Liu
Very
Struggle
Heart
" Short fiction encourages experimentation, and it's fun to play with form and try experiments that may or may not work out. "
Ken Liu
Fun
Out
Work
" My translation work has been pretty separate from my fiction, as it was basically an accidental side project that turned into a separate and parallel career. "
Ken Liu
Pretty
Project
Side
" Like pretty much every short story writer, I submitted to every market under the sun and hoped for the best. The rejection letters I've collected over the years can probably make a book of their own. "
Ken Liu
Rejection
Sun
Short
" It is not possible to completely eliminate mediation between you as an observer and the history you are trying to understand. "
Ken Liu
You
Trying
History
" I don't believe in reducing a style and a voice down to a set of descriptions, so I've never done that. "
Ken Liu
Done
Voice
Style
" I write speculative fiction, and in my view, speculative fiction is really just a very intense version of the work of literature in general. "
Ken Liu
Write
Literature
View
" Almost all of my stories can be understood to be elaborations on our drive to remake the world and our adjustments to the result. "
Ken Liu
World
Stories
Almost
" What tends to happen when people talk about Chinese sci-fi in the West is that there's a lot of projection. We prefer to think of China as a dystopian world that is challenging American hegemony, so we would like to think that Chinese sci-fi is all either militaristic or dystopian. But that's just not the reality of it. "
Ken Liu
World
American
Think
" In every revolution, there are winners and losers. Every dystopia is a utopia for somebody else. It just depends where you are. Are you in the class that benefits, or are you in the class that's not? "
Ken Liu
Utopia
Revolution
Winners
" If I end up having a novel that sells really well and that allows me to pay for health insurance and mortgage without having to work at a day job, that would be great. "
Ken Liu
Work
Great
End
" I don't really care that much about genre labels. I tend to write across a variety of different genres. "
Ken Liu
Different
Write
Care
" When I act as a translator, I am really doing a performance for my fellow Anglophone readers in the West. "
Ken Liu
West
Doing
I Am
" In general, writers who talk to their colleagues and neighbors constantly about their own writing seem to me pretty insufferable. I try not to be that guy. "
Ken Liu
Me
Own
Colleagues
" I still think in a parallel universe, I became a mathematician. "
Ken Liu
Parallel
Think
Universe
" Trying to predict the future is a loser's game. "
Ken Liu
Future
Game
Loser
" Whenever you talk about Chinese dragons, emperors, palaces, concubines - they conjure up a whole colonial argle-bargle that has nothing to do with historical reality. "
Ken Liu
You
Talk
Reality
" Researching real history has taught me to be bolder and more imaginative in building fantasy worlds and writing fantasy characters, to seek out the margins of history and the forgotten tales that illuminate the whole, complex truth of our flawed yet wondrous nature as a species. "
Ken Liu
Nature
Writing
Truth
" I'm often asked how I get ideas for my stories. The answer is there's no single way; every story is different. "
Ken Liu
Different
Ideas
Way
" My metaphor for translation has always been that translation is really a performance art. You take the original and try to perform it, really, in a different medium. Part of that is about interpretation and what you think the author's voice really is. "
Ken Liu
Try
Voice
You
" The novel that an author writes is often not the novel that the reader reads, and most of the 'messages' in a novel are put there by the reader. There's nothing wrong with that, of course. That's how literature functions. "
Ken Liu
How
Nothing
Literature
" People who are ambitious - politicians who crave power - think that they're in control of it, but at some point, the movement that they started overtakes them, and they lose the ability to direct things anymore, and they become essentially riders on a wild stallion, and wherever the movement goes, wherever power takes them, they have to go along. "
Ken Liu
Lose
Think
Power
" There are so many different narrative traditions across the world, and each of those traditions has evolved dramatically over time. Once I understood that, I felt truly free; I could write and invent the way I wanted to because there never has been only one way to tell a good story. "
Ken Liu
Story
Good
Way
" It's incredible to me that any two individual minds, trapped in their skulls and bodies and histories and unique experiences, are able to reach across the void between them and touch at all. "
Ken Liu
Touch
Reach
Minds
" I get to use fiction as a way to work out my thinking and to delight readers in the process. I can't think of any deal that's better for me, and I'm always so grateful that readers have indulged me as I argue with myself in my stories. "
Ken Liu
Think
Work
Thinking
" There's this long history of colonialism and the colonial gaze when applied to matters related to China. So a lot of conceptions about China in literary representations in the West are things you can't even fight against because they've been there so long that they've become part of the Western imagination of China. "
Ken Liu
Imagination
History
Fight