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" I think what's really important is to challenge yourself. You can very easily fall into the rut of, 'We know it works! We'll use that old chestnut.' "
David Leitch
Know
Fall
Challenge
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" As a director, just to be able to jump in to do something that's different, and to explore comedy and be challenged by that, is great. Some directors never get that opportunity. "
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" You learn tricks to make action look more dynamic - having the fight come toward you or shooting on a longer lens to compress the speed. "
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" Film is a collaborative art form. I don't know why you wouldn't recognize the stunt performers. "
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" Every movie you attack has its challenges, and I was excited about the challenges presented by 'Deadpool.' I was a huge fan of the original, and I think, as a director, you have to put the script first. "
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" While filming 'The Matrix,' we studied how a Chinese fight-choreography team trains actors before production starts so that they can participate in action sequences in a more dynamic way. "
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" You know, the 'Atomic Blonde' universe is its own universe. There's influences obviously of Bond and Bourne and 'Wick,' all the things I've been exposed to, but it is its own universe. "
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" Music emotionally and psychologically transports you immediately. "
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" I'm a fan of the sensibility of comics, and I love the escapism of them and the defining of good and evil. They're just so creative, too. "
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" Spies go undercover. They take on different personas. "
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" Sometimes, the action genre does get stale. Although I want to go back and see my favorite characters in their tentpoles - and will religiously do that - it's really fun to see breakout ideas and concepts. Let's make some new stories. "
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" The character of Cable is complex. "
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" People have given their lives to this industry to make movies compelling. "
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" As a second unit director, you're entrusted to shoot the action sequences. On every movie, it's slightly different. "
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Shoot
" I think, as a choreographer and an action designer, you're constantly giving your characters problems to overcome. That's what makes it fun for choreography. But it also makes it fun for the audience to see them solve those puzzles and how they are as a human being. "
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Giving
" There's an arc to an action sequence, and you need to come out the other end knowing your character better, and maybe the story has moved forward in a compelling way. "
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" I look at the action scenes as placeholders when I arrive on a script, knowing that I'm going to expand on them when I understand the constraints of the movie, the locations of where we're shooting, the abilities of the actors, and where we want to go with the characters. "
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" Take up martial arts and get proficient. Take a sword-fighting class. Dive in and immerse yourself in it as you would any other acting class, so when the opportunity comes, that skill can be really utilized, and it's not half-baked. "
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You
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" You have to make bold choices to be noticed. "
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Choices
Make
Noticed
" People want to be empowered to the point where they can thwart their enemies physically. "
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Where
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Enemies
" Part of the problem is that many directors treat female characters too often as precious. Or they want to live in a fantasy world where they just do spinning hook kicks and knock out guys who are six foot four, and that doesn't work either. "
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Live
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Treat
" All film, at the end of the day, has wish-fulfillment. "
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" Shooting a fight is like shooting any other scene. You have to tell a story using a very specific choreography. "
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" Even when you're being safe, eight hours of choreography makes you look like you've been through a war. It's hard. It's like playing hockey for eight hours. "
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" Stunt coordinating is a good training ground for directing because you have exposure to all the departments in film. "
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" As a filmmaker, I'm a collaborator first. "
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" A lot of people don't give their audiences credit. You can leave it a little mysterious. They can think about it. "
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Mysterious
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" If you're trying to get to the underworld of Berlin, it's not suits and ties; it's rock and roll. "
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