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" Alex Poots has always made a bridge between highly experimental and the mainstream. "

Hans-Ulrich Obrist

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" Since 2000, I've been based in Paris at the Musee d'Art Moderne de la Ville, curating the programme there. Internationally, it's a very open situation that goes beyond national boundaries; directors and curators move from one country to another, which has opened up the museum landscape. "

Hans-Ulrich Obrist

" For me, the making of exhibitions has always had to do with dialogue: a concentrated, in-depth, focused dialogue with artists, who keep teaching me that exhibitions should always invent new rules for the game. "

Hans-Ulrich Obrist

" Fly-in, fly-out curating nearly always produces superficial results; it's a practice that goes hand in hand with the fashion for applying the word 'curating' to everything that involves simply making a choice - radio playlists, hotel decor, even the food stalls in New York's High Line Park. "

Hans-Ulrich Obrist

" I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public. "

Hans-Ulrich Obrist

" I spent 250 to 300 days of every year on the road. But in the end, I felt something was missing. I needed to be anchored so I could concentrate, so in 2000, I established a new methodology - the one I use today. I spent the week in my office and travelled every weekend, even at Christmas. "

Hans-Ulrich Obrist

" Switzerland felt incredibly narrow, growing up. It was good, in a way. There were so many museums. But it was always a no-brainer that I would have to leave, and I'm grateful for that. "

Hans-Ulrich Obrist

" When I was 17, I met many artists, and it started to become this conversation with artists out of which all of my exhibitions grew. "

Hans-Ulrich Obrist

" At a certain time, an artist needs a big retrospective. At other times, they need a more focused exhibition. It's a different story each time; it's about establishing a dialogue. "

Hans-Ulrich Obrist

" Numerous are the posthumous museums and memorials devoted exclusively to one artist, architect or author and designed to preserve or artificially reconstruct the namesake's original working or living conditions. "

Hans-Ulrich Obrist

" I remember going to a monastery library when I was very young and being surrounded by ancient books. I fell in love. "

Hans-Ulrich Obrist

" I really do think artists are the most important people on the planet, and if what I do is a utility and helps them, then that makes me happy. I want to be helpful. "

Hans-Ulrich Obrist

" One of my favourite exhibitions is called 'Do It,' which I co-curated with the artists Christian Boltanski and Bertrand Lavier 21 years ago. "

Hans-Ulrich Obrist

" I'm trying to expand the notion of curating. Exhibitions need not only take place in galleries, need not only involve displaying objects. Art can appear where we expect it least. "

Hans-Ulrich Obrist

" For me, it's always been very essential to work on projects that one can work on almost for their entire life. "

Hans-Ulrich Obrist

" Many artists have not been able to realise their fondest projects. My role is to help them. "

Hans-Ulrich Obrist

" Exhibitions usually are not collected; they disperse after they take place. "

Hans-Ulrich Obrist

" I founded a club, which is called the Brutally Early Club. It's basically a breakfast salon for the 21st century where art meets science meets architecture meets literature. "

Hans-Ulrich Obrist

" For me, the idea of curating can be expanded. Curating science, curating art, music and theater and performance and not only bring those things into art but bring art into those areas. "

Hans-Ulrich Obrist

" Our economy's growth functions by inciting us to produce more and more with each passing year. In turn, we require cultural forms to enable us to sort through the glut, and our rituals are once again directed towards the immaterial, towards quality and not quantity. "

Hans-Ulrich Obrist

" I met Gerhard Richter and Alighiero Boetti when I was a teenager, and I was really inspired by them. When Boetti died, I realized I only vaguely remembered so many things he told me. It was such a pity. Had I only recorded his voice, he would still be with me, and I could listen to it from time to time. "

Hans-Ulrich Obrist

" Most cities have a centre surrounded by suburbs, but London has numerous centres: it's the model of a twenty-first century metropolis. "

Hans-Ulrich Obrist

" I started going to exhibitions in Switzerland when I was 10 or 11. As a schoolboy, I would go every afternoon to see the long, thin figures of Giacometti. "

Hans-Ulrich Obrist

" It's quite an obscure notion for a kid, no? To want to be a curator. But even then, I knew that I would do this. "

Hans-Ulrich Obrist

" To keep art stimulating, it's important to open it up to new horizons, which includes showing it in unexpected contexts. "

Hans-Ulrich Obrist

" I still remember my first Giacometti exhibition, and going back to the museum every day, whenever I could, to look again and again at these long, thin stick figures, so beautiful, so graceful. That, I think, was the moment I became really obsessed by art. "

Hans-Ulrich Obrist

" Exhibitions are kind of ephemeral moments, sometimes magic moments, and when they're gone, they're gone. "

Hans-Ulrich Obrist

" I would go from one city to the next, inspired by the monks in the Middle Ages, who would carry knowledge from one monastery to the next monastery. "

Hans-Ulrich Obrist

" I went to the studio of Fischli Weiss, and it was magical. I thought: 'This is what I want to do with my life; I want to work with artists and be useful to them.' I was magnetically attracted. "

Hans-Ulrich Obrist

" In this new age of GPS, Google Earth and multidimensional digital maps, mapping is suddenly hugely relevant again. "

Hans-Ulrich Obrist

" I'm very interested in the idea of unusual museums, ones that are not necessarily contemporary art museums - more like historical collections or house museums. "

Hans-Ulrich Obrist