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" Many artists have not been able to realise their fondest projects. My role is to help them. "
Hans-Ulrich Obrist
Help
Role
Projects
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" My most famous show is the 'Kitchen Show.' More famous than any gallery show or museum show I curated. "
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" During my time at high school and university in Kreuzlingen and St. Gallen, I traveled around Europe looking at art, visiting artists, studios, galleries and museums. "
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" To be honest, I think, for me, the power is always with art. The art world clearly couldn't happen without art. "
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" For me, the idea of curating can be expanded. Curating science, curating art, music and theater and performance and not only bring those things into art but bring art into those areas. "
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Music
Performance
" There is nothing deeper than to work for a year with the same artist. "
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Artist
" To record is a process against forgetting. I do interviews because it's what I've been doing every day for a few hours since I was a kid. I've always talked to artists. "
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Doing
Always
Day
" For me, the making of exhibitions has always had to do with dialogue: a concentrated, in-depth, focused dialogue with artists, who keep teaching me that exhibitions should always invent new rules for the game. "
Hans-Ulrich Obrist
Focused
Always
Game
" At a certain time, an artist needs a big retrospective. At other times, they need a more focused exhibition. It's a different story each time; it's about establishing a dialogue. "
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Artist
Time
Story
" I think the art fair is very much a form of urbanism. I think something really happens to the cities when such a fair happens. The city becomes an exhibition; it's amazing. "
Hans-Ulrich Obrist
Happens
Amazing
Art
" I would go from one city to the next, inspired by the monks in the Middle Ages, who would carry knowledge from one monastery to the next monastery. "
Hans-Ulrich Obrist
City
Carry
Knowledge
" I always have coffee and porridge for breakfast. "
Hans-Ulrich Obrist
Breakfast
Always
Coffee
" Numerous are the posthumous museums and memorials devoted exclusively to one artist, architect or author and designed to preserve or artificially reconstruct the namesake's original working or living conditions. "
Hans-Ulrich Obrist
Museums
Artist
Living
" I spent 250 to 300 days of every year on the road. But in the end, I felt something was missing. I needed to be anchored so I could concentrate, so in 2000, I established a new methodology - the one I use today. I spent the week in my office and travelled every weekend, even at Christmas. "
Hans-Ulrich Obrist
End
Christmas
Weekend
" One of my favourite exhibitions is called 'Do It,' which I co-curated with the artists Christian Boltanski and Bertrand Lavier 21 years ago. "
Hans-Ulrich Obrist
Artists
Christian
Favourite
" I read whenever possible, and I buy books all the time, sometimes online, but mostly from bookshops. I love literature. If you want to understand art, it's important to understand what is also happening in literature, in music, in science, in architecture. "
Hans-Ulrich Obrist
Love
Art
You
" Fly-in, fly-out curating nearly always produces superficial results; it's a practice that goes hand in hand with the fashion for applying the word 'curating' to everything that involves simply making a choice - radio playlists, hotel decor, even the food stalls in New York's High Line Park. "
Hans-Ulrich Obrist
Food
Practice
Fashion
" I'm trying to expand the notion of curating. Exhibitions need not only take place in galleries, need not only involve displaying objects. Art can appear where we expect it least. "
Hans-Ulrich Obrist
Place
Need
Expect
" At a certain moment, when I started doing my own shows, I felt it would be really interesting to know what is the history of my profession. I realized that there was no book, which was kind of a shock. "
Hans-Ulrich Obrist
Moment
Book
History
" Since 2000, I've been based in Paris at the Musee d'Art Moderne de la Ville, curating the programme there. Internationally, it's a very open situation that goes beyond national boundaries; directors and curators move from one country to another, which has opened up the museum landscape. "
Hans-Ulrich Obrist
Situation
Up
Landscape
" I don't wake up in the morning and think about Franz Kline. "
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Think
Wake Up
About
" It's quite an obscure notion for a kid, no? To want to be a curator. But even then, I knew that I would do this. "
Hans-Ulrich Obrist
Want
Then
Even
" I have many intense friendships with artists. I don't mean we have intense one-day conversations but ongoing conversations that last in some cases for years. "
Hans-Ulrich Obrist
Intense
Last
Many
" My job is art curator, not artist. All I have ever wanted to do is immerse myself in art, to enjoy it, to learn about it, to write about it, to talk to others about it. "
Hans-Ulrich Obrist
Art
Learn
Myself
" To keep art stimulating, it's important to open it up to new horizons, which includes showing it in unexpected contexts. "
Hans-Ulrich Obrist
Open
New
Important
" Mr. Koons's work has always inspired architects, which I think is very interesting. I think he is an artist who has reinvented himself so many times and reinvented so many different series. "
Hans-Ulrich Obrist
Interesting
Work
Think
" Alex Poots has always made a bridge between highly experimental and the mainstream. "
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Made
Always
Alex
" I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public. "
Hans-Ulrich Obrist
Bridge
Creating
Partner
" I remember going to a monastery library when I was very young and being surrounded by ancient books. I fell in love. "
Hans-Ulrich Obrist
Love
Young
Library
" Everything I do is somehow connected to velocity. "
Hans-Ulrich Obrist
Velocity
Somehow
Connected
" Most cities have a centre surrounded by suburbs, but London has numerous centres: it's the model of a twenty-first century metropolis. "
Hans-Ulrich Obrist
Most
Model
London