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" To keep art stimulating, it's important to open it up to new horizons, which includes showing it in unexpected contexts. "
Hans-Ulrich Obrist
Open
New
Important
Related Quotes:
" I'm trying to expand the notion of curating. Exhibitions need not only take place in galleries, need not only involve displaying objects. Art can appear where we expect it least. "
Hans-Ulrich Obrist
Place
Need
Expect
" When I was a kid and started to be obsessed by art in the 1980s, the art world was in this polarity Warhol/Beuys, Beuys/Warhol. Both expended the notion of art extremely, but in very different ways. "
Hans-Ulrich Obrist
Art
World
Started
" Alex Poots has always made a bridge between highly experimental and the mainstream. "
Hans-Ulrich Obrist
Made
Always
Alex
" Most cities have a centre surrounded by suburbs, but London has numerous centres: it's the model of a twenty-first century metropolis. "
Hans-Ulrich Obrist
Most
Model
London
" I have many intense friendships with artists. I don't mean we have intense one-day conversations but ongoing conversations that last in some cases for years. "
Hans-Ulrich Obrist
Intense
Last
Many
" Switzerland felt incredibly narrow, growing up. It was good, in a way. There were so many museums. But it was always a no-brainer that I would have to leave, and I'm grateful for that. "
Hans-Ulrich Obrist
Growing
Grateful
Growing Up
" I would go from one city to the next, inspired by the monks in the Middle Ages, who would carry knowledge from one monastery to the next monastery. "
Hans-Ulrich Obrist
City
Carry
Knowledge
" For me, the making of exhibitions has always had to do with dialogue: a concentrated, in-depth, focused dialogue with artists, who keep teaching me that exhibitions should always invent new rules for the game. "
Hans-Ulrich Obrist
Focused
Always
Game
" To record is a process against forgetting. I do interviews because it's what I've been doing every day for a few hours since I was a kid. I've always talked to artists. "
Hans-Ulrich Obrist
Doing
Always
Day
" There is nothing deeper than to work for a year with the same artist. "
Hans-Ulrich Obrist
Than
Work
Artist
" For me, it's always been very essential to work on projects that one can work on almost for their entire life. "
Hans-Ulrich Obrist
Almost
Always
Been
" Numerous are the posthumous museums and memorials devoted exclusively to one artist, architect or author and designed to preserve or artificially reconstruct the namesake's original working or living conditions. "
Hans-Ulrich Obrist
Museums
Artist
Living
" My job is art curator, not artist. All I have ever wanted to do is immerse myself in art, to enjoy it, to learn about it, to write about it, to talk to others about it. "
Hans-Ulrich Obrist
Art
Learn
Myself
" The non-utility of my kitchen could be transformed into its utility for art. To do a show there would mix art and life, naturally. "
Hans-Ulrich Obrist
Transformed
Life
Kitchen
" I remember going to a monastery library when I was very young and being surrounded by ancient books. I fell in love. "
Hans-Ulrich Obrist
Love
Young
Library
" Everything I do is somehow connected to velocity. "
Hans-Ulrich Obrist
Velocity
Somehow
Connected
" At Performa in New York, there are a lot of commissions, but Manchester Festival is the only festival where everything is fully produced by the festival. "
Hans-Ulrich Obrist
New York
New
Everything
" I met Gerhard Richter and Alighiero Boetti when I was a teenager, and I was really inspired by them. When Boetti died, I realized I only vaguely remembered so many things he told me. It was such a pity. Had I only recorded his voice, he would still be with me, and I could listen to it from time to time. "
Hans-Ulrich Obrist
Remembered
Listen
Voice
" I read whenever possible, and I buy books all the time, sometimes online, but mostly from bookshops. I love literature. If you want to understand art, it's important to understand what is also happening in literature, in music, in science, in architecture. "
Hans-Ulrich Obrist
Love
Art
You
" Making art is not the matter of a moment, and nor is making an exhibition; curating follows art. "
Hans-Ulrich Obrist
Exhibition
Art
Moment
" Mr. Koons's work has always inspired architects, which I think is very interesting. I think he is an artist who has reinvented himself so many times and reinvented so many different series. "
Hans-Ulrich Obrist
Interesting
Work
Think
" I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public. "
Hans-Ulrich Obrist
Bridge
Creating
Partner
" I spent 250 to 300 days of every year on the road. But in the end, I felt something was missing. I needed to be anchored so I could concentrate, so in 2000, I established a new methodology - the one I use today. I spent the week in my office and travelled every weekend, even at Christmas. "
Hans-Ulrich Obrist
End
Christmas
Weekend
" I think the art fair is very much a form of urbanism. I think something really happens to the cities when such a fair happens. The city becomes an exhibition; it's amazing. "
Hans-Ulrich Obrist
Happens
Amazing
Art
" My great inspiration has always been Studs Terkel, who is a wonderful American oral historian. He was a radio DJ at first, interviewed a lot of jazz musicians, and at some point started to interview Americans about work. "
Hans-Ulrich Obrist
Great
Work
Musicians
" Exhibitions usually are not collected; they disperse after they take place. "
Hans-Ulrich Obrist
After
Place
Take
" It's quite an obscure notion for a kid, no? To want to be a curator. But even then, I knew that I would do this. "
Hans-Ulrich Obrist
Want
Then
Even
" To be honest, I think, for me, the power is always with art. The art world clearly couldn't happen without art. "
Hans-Ulrich Obrist
Me
Power
Think
" I really do think artists are the most important people on the planet, and if what I do is a utility and helps them, then that makes me happy. I want to be helpful. "
Hans-Ulrich Obrist
Important
Think
People
" At a certain moment, when I started doing my own shows, I felt it would be really interesting to know what is the history of my profession. I realized that there was no book, which was kind of a shock. "
Hans-Ulrich Obrist
Moment
Book
History