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" I'm very interested in the idea of unusual museums, ones that are not necessarily contemporary art museums - more like historical collections or house museums. "
Hans-Ulrich Obrist
Unusual
Like
House
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" The 21st-century curator works in a supremely globalised reality. "
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" I remember going to a monastery library when I was very young and being surrounded by ancient books. I fell in love. "
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" My most famous show is the 'Kitchen Show.' More famous than any gallery show or museum show I curated. "
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" There is nothing deeper than to work for a year with the same artist. "
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" I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public. "
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" I would go from one city to the next, inspired by the monks in the Middle Ages, who would carry knowledge from one monastery to the next monastery. "
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" I really do think artists are the most important people on the planet, and if what I do is a utility and helps them, then that makes me happy. I want to be helpful. "
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" From 1991 to 2000, I was totally nomadic. I was travelling 300 days a year and building out my research. These were a bit like my learning and migrating years, so to say. "
Hans-Ulrich Obrist
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" In this new age of GPS, Google Earth and multidimensional digital maps, mapping is suddenly hugely relevant again. "
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Earth
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" For me, the idea of curating can be expanded. Curating science, curating art, music and theater and performance and not only bring those things into art but bring art into those areas. "
Hans-Ulrich Obrist
Science
Music
Performance
" To keep art stimulating, it's important to open it up to new horizons, which includes showing it in unexpected contexts. "
Hans-Ulrich Obrist
Open
New
Important
" Many artists have not been able to realise their fondest projects. My role is to help them. "
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" I founded a club, which is called the Brutally Early Club. It's basically a breakfast salon for the 21st century where art meets science meets architecture meets literature. "
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" For me, it's always been very essential to work on projects that one can work on almost for their entire life. "
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Almost
Always
Been
" Making art is not the matter of a moment, and nor is making an exhibition; curating follows art. "
Hans-Ulrich Obrist
Exhibition
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Moment
" I have many intense friendships with artists. I don't mean we have intense one-day conversations but ongoing conversations that last in some cases for years. "
Hans-Ulrich Obrist
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" For me, the making of exhibitions has always had to do with dialogue: a concentrated, in-depth, focused dialogue with artists, who keep teaching me that exhibitions should always invent new rules for the game. "
Hans-Ulrich Obrist
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" Our economy's growth functions by inciting us to produce more and more with each passing year. In turn, we require cultural forms to enable us to sort through the glut, and our rituals are once again directed towards the immaterial, towards quality and not quantity. "
Hans-Ulrich Obrist
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Growth
" I read whenever possible, and I buy books all the time, sometimes online, but mostly from bookshops. I love literature. If you want to understand art, it's important to understand what is also happening in literature, in music, in science, in architecture. "
Hans-Ulrich Obrist
Love
Art
You
" I always have coffee and porridge for breakfast. "
Hans-Ulrich Obrist
Breakfast
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Coffee
" I don't wake up in the morning and think about Franz Kline. "
Hans-Ulrich Obrist
Think
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" When I was a kid and started to be obsessed by art in the 1980s, the art world was in this polarity Warhol/Beuys, Beuys/Warhol. Both expended the notion of art extremely, but in very different ways. "
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" Most cities have a centre surrounded by suburbs, but London has numerous centres: it's the model of a twenty-first century metropolis. "
Hans-Ulrich Obrist
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" Since 2000, I've been based in Paris at the Musee d'Art Moderne de la Ville, curating the programme there. Internationally, it's a very open situation that goes beyond national boundaries; directors and curators move from one country to another, which has opened up the museum landscape. "
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" Everything I do is somehow connected to velocity. "
Hans-Ulrich Obrist
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" My job is art curator, not artist. All I have ever wanted to do is immerse myself in art, to enjoy it, to learn about it, to write about it, to talk to others about it. "
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" To record is a process against forgetting. I do interviews because it's what I've been doing every day for a few hours since I was a kid. I've always talked to artists. "
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Day
" At Performa in New York, there are a lot of commissions, but Manchester Festival is the only festival where everything is fully produced by the festival. "
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" Switzerland felt incredibly narrow, growing up. It was good, in a way. There were so many museums. But it was always a no-brainer that I would have to leave, and I'm grateful for that. "
Hans-Ulrich Obrist
Growing
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" My great inspiration has always been Studs Terkel, who is a wonderful American oral historian. He was a radio DJ at first, interviewed a lot of jazz musicians, and at some point started to interview Americans about work. "
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